Our Judges

Mark Latham, Conductor

Born in Tanzania and educated in the United Kingdom and the US, MARK LATHAM has been active as a violinist, violist, composer, conductor, chamber musician and teacher in the UK, Canada and the US.  

Latham received his musical training at the Guildhall School (London), the Philadelphia College of Performing Arts, Brooklyn College Conservatory, and the University of Michigan, where he earned his Doctor of Musical Arts in Orchestral Conducting. Mark was privileged to have studied with some of the great musicians and pedagogues of the past century: violin with Masao Kawasaki, Dorothy DeLay and Itzhak Perlman; chamber music with the Juilliard, Emerson and American Quartets, with Eugene Lehner of the Kolisch Quartet; and conducting with Kenneth Kiesler, Helmut Rilling, Marin Alsop and Gustav Meier.

As a violinist, Mark was a member of the Atlantic String Quartet for 6 years in St. John’s, Canada, with whom he made many broadcasts with CBC Radio. He has been a regular with Emmanuel Music in Boston and the New England Bach Festival, and previously was a member of the New Hampshire, Delaware and New Haven Symphonies. He is a founding member of the Aryaloka String Quartet.

Mark Latham has conducted the Cabrillo Festival Orchestra in Santa Cruz, CA, the Oregon Bach Festival Orchestra, the MIT Symphony Orchestra, and has directed several orchestras in Canada, New England and Michigan, where he was director of the Gilbert and Sullivan Society. Each summer he conducts and coaches amateur musicians at CAMMAC in Quebec, and directs the orchestra and gives master classes at the Iceberg Chamber Music Institute in Newfoundland. A firm believer in exploring new music, he has commissioned and conducted many world premieres of orchestral pieces.

Mark holds a deep belief that music is transformational and can be a broad and powerful educational and social medium for both children and adults. Now in his tenth season as Music Director of the New Hampshire Philharmonic, he continues to lead the University Orchestra at the University of Massachusetts, Lowell, where he teaches as adjunct professor of conducting, violin and viola, and chamber music.  He and his wife Theresa live in Somerville, where they enjoy gardening, tennis, their cats, and reading their too many books.

David Feltner, Conductor

Conductor DAVID FELTNER has been acclaimed by The Boston Globe for leading performances of “profound expressivity” and praised for his “fervent advocacy” by The Boston Phoenix. Equally at home in the symphonic and operatic worlds, he has served as Associate Conductor and Chorus Master for Boston Lyric Opera and Cover Conductor for Keith Lockhart and the Boston Pops. 

He is in his twenty-fourth season as Music Director of the Chamber Orchestra of Boston, a group that has won accolades from audiences and critics alike for its polished performances and innovative programs. As Steven Ledbetter wrote in The Boston Music Intelligencer: “David Feltner put together a truly captivating program …one of the most completely satisfying concerts that I have heard this season.” As Michael Rocha wrote in The Boston Music Intelligencer: “All told, an immensely satisfying experience that left both heart and mind sated.” And as Geoffrey Wieting wrote in The Boston Music Intelligencer: “This performance will surely resound in many memories for a long time.”

Mr. Feltner has also been thrilling audiences in New Hampshire for the past eighteen seasons as Music Director of the Nashua Chamber Orchestra, where his leadership caused music critic Jeff Rapsis to write: “Conductor David Feltner brought the Nashua Chamber Orchestra to new places.” In 2022 he was appointed Music Director of the Merrimack Valley Philharmonic Orchestra.

He has been a guest conductor for several orchestras, including the Boston Civic Symphony, Brockton Symphony Orchestra, Adelphi Chamber Orchestra, Topeka Symphony Orchestra, Narragansett Bay Symphony, Rhode Island Philharmonic Community Orchestra and Intermezzo: The New England Chamber Opera Series.

An enthusiastic advocate for music of our time, Mr. Feltner has conducted numerous premieres and works by dozens of living composers, from Anaís Azul to Ellen Taaffe Zwilich. Mr. Feltner is also an accomplished violist and composer. As a violist, he has performed with the Boston Symphony Orchestra, Boston Pops, Boston Lyric Opera, Boston Modern Orchestra Project, Yamagata (Japan) Symphony, New York City Opera and Palm Beach Opera. His recent orchestral compositions include Dreams and Awakenings for trumpet and strings, Piccolo Concerto (The Night Sky and Wind in the Trees) and From the Depths for viola and orchestra, which he premiered in June 2023.

Adam Golka

Polish-American pianist ADAM GOLKA first performed all of Beethoven’s 32 Piano Sonatas when he was 18 years-old, and he returned to the complete cycle in 2020-2021 for performances in NYC, Orlando, and Houston. He also presented all-Beethoven live streams for presenters in Ventura, El Paso, Sitka, Spokane, and the Library of Congress. Adam’s performances and presentations were complemented by 32 short films he created, known as ’32@32″ (available on YouTube), featuring not only conversations with legends such as Alfred Brendel and Leon Fleisher, but also connecting the Sonatas to other disciplines through dialogues with an astrophysicist, philosopher, magician, painter, and a child, to name only a few special guests.

Adam Golka began his performing career at sixteen, when he won the First Prize and Audience Prize in the 2nd China Shanghai International Piano Competition. He also was a winner of the Gilmore Young Artist Award and the American Pianists Association Max I. Allen Classical Fellowship. 

As a concerto soloist, Adam has appeared as soloist with dozens of orchestras, including the BBC Scottish Symphony, NACO (Ottawa), Warsaw Philharmonic, Shanghai Philharmonic, as well as the San Francisco, Atlanta, Houston, Dallas, Milwaukee, Indianapolis, New Jersey, Seattle, Fort Worth, Jacksonville, and San Diego symphonies. He has performed with eminent conductors such as Pinchas Zukerman, Donald Runnicles, JoAnn Falletta, and Mark Wigglesworth. 

Adam performed recitals as part of the “Sir Andras Schiff Selects” project at Klavier-Festival Ruhr (Essen), Tonhalle Zürich, Maison de France (Berlin), and 92Y Subculture (NYC). Adam has also performed solo recitals at Alice Tully Hall (NYC), Concertgebouw Kleine Zall (Amsterdam), Musashino Hall (Tokyo), and for Cliburn at the Kimbell. Chamber music is an integral part of Adam Golka’s musical life. He performs frequently with the Manhattan Chamber Players, he has participated in the Marlboro Music Festival, and he is a regular of the Krzyżowa-Music “Music for Europe” festival.

Larry Rosen

LARRY ROSEN entered The Juilliard School Pre-College Division at eight for one year. He received B.S. and M.S. degrees from Juilliard in composition and piano, studying with Vincent Persichetti, Roger Sessions, and Luciano Berio. He held the Richard Rodgers scholarship for a year, was awarded the Freschl Prize, was granted a Teaching Fellowship at Juilliard, and subsequently joined the Juilliard and Manhattan School of Music faculties while still a student, retiring from institutional teaching at twenty-two. 

Mr. Rosen made his New York piano debut at Carnegie Hall, 1983, performing works of J. S. Bach, Charles Ives, Cole Porter, and Lawrence Rosen. He was a Student/Fellow at Tanglewood Music Center for one summer. He served as Assistant to Italian composer Luciano Berio in Rome for a year, composing, arranging, performing, and conducting throughout Western Europe.

Mr. Rosen is a prolific composer, with numerous musical works (music, lyrics, and other incedental music) for on-Broadway and off-Broadway theatres, and many other non-commercial and workshopped shows.


  • Composer in residence and musical director, Williamstown Theater Festival, composing incidental music for several mainstage plays starring (among many others) Frank Langella, Blythe Danner and Joel Grey, and creating a weekly cabaret-style review.
  • Music and Lyrics for The Phantom of the Opera (original production at the Hirschfeld Theater), subsequently over 50 productions, Carbonell award, movie (a film of the stage version) of same on PBS, première at the 57 Street Playhouse (now the Directors Guild Theater.)
  • Sterling Patron Award, Steinway Hall, 1997. 
  • 2010-11: one of 17 composers chosen (along with Jason Robert Brown, Andrew Lippa, Milton Babbitt, etc.) for inclusion in the choral series Mr. President (composing a vocal quartet on words of Thomas Jefferson) premièred on NPR, published by Subito Music, 2014.
  • Former Editor-In-Chief for Piano, The Schirmer Library of Musical Classics. Member, the Dramatists Guild. Member ASCAP, permanent member of the ASCAP Special Classification Committee.
  • Over 50 original compositions, arrangements, transcriptions in print (or, out of print), including concert paraphrases of The Songs of Stephen Foster, published in 2001 by G. Schirmer. Special Projects Editor, CD Sheet Music Library, a comprehensive catalog of scores in digital format, published by Subito Music Corporation.
  • Created the piano-vocal scores for Pulitzer Prize winner Paul Moravec’s operas The Letter and The Shining.
  • Music and Lyrics for the new musical Gatsby, in collaboration with Daniel Landon, adapted from the F. Scott Fitzgerald novel.
  • Also with Daniel Landon, a new, original musical, Dream On.
  • Scenario, music, and lyrics for two “Dramatorios:” Thanksgiving At Molly’s, and Peacefield, both for a cast of soloists and chorus.
  • The Accompaniment Studio (a Subito Music Corporation product): created and recorded a series of (several hundred) piano accompaniments of masterworks for learning, study, and practice.
  • Contracted by the Gershwin Estate to create a new piano-vocal score for DuBose Heyward and George and Ira Gershwin’s Porgy and Bess, based on the definitive version of the complete opera (not to be confused with the recent, rewritten Broadway version) by Wayne Shirley of Yale University, completed 2016.
  • 2017: by arrangement with G. Schirmer, Inc., and the estate of Sergei Prokofiev, copyright holders, creation of an original stage musical based upon Prokofiev’s Peter And The Wolf, and Lucky, a one-act prequel to the Peter And The Wolf stage musical, scenario/libretto, music, and lyrics, now scheduled for production late 2022 (pandemic-delayed.)
  • Recently completed the book, music, and lyrics for an original musical, Eternal Stages, about the early days of the Yiddish Theater in America.
  • 2021: Book, Music, and Lyrics for an original, two-character musical, Central Park Bench; from the 1924 original Gershwin/Whiteman/Grofé première score, creation of an updated, contemporary version of Rhapsody in Blue, announced for publication in Spring of 2022.
  • August, 2022: world première of the new musical, Gatsby, An American Musical (see above,) with a cast of 25 at the Woodstock Playhouse, Woodstock, NY.

Yiming Wu, Composition Judge

YIMING WU (wuyiming.org), is a composer based in Massachusetts, USA. He is the founder of The May Flower Art Center(MFAC), graduated from the Central Conservatory of Music in China and Peabody Institute of Johns Hopkins University.

In 2006, he was the first Chinese composer to participate and win the Third Prize of the Takemistsu Composition Award in Japan (full orchestra) at the age of 23.
In 2008, he won Second Place in the third Harelbeke International Composition Competition in Belgium.
In 2010, He was the recipient of the BMW Musica Viva Composition Prize in Germany.

Yiming Wu’s original concert music has been performed worldwide by notable orchestras such as Tokyo Philharmonic Orchestra, Bavarian Radio Symphony Orchestra, Beijing Symphony Orchestra, Belgium Royal Wind Orchestra, Occasional Symphony, etc.

In 2017, Yiming Wu founded the May Flower Art Center (MFAC) in Maryland, which focuses on guiding young composers to reach the professional level with a creative and efficient teaching methodology created by Mr. Wu.

For years, Mr. Wu’s May Flower Art Center has cultivated numerous winners in various competitions, such as BMI Composer Award, the ASCAP Morton Gould Young Composer Award, National Youth Orchestra – USA (Apprentice Composer), the American Prize, Young Arts National Competition, Emerging Composers Competition, Luna Composition Lab, MTNA national Composition, and others.

His students are located globally, including the United States, Canada, China, Australia, Singapore, and Switzerland.

Mila Filatova, Artistic Director

One of the most sought-after piano teachers in New England, MILA FILATOVA (www.MilaFilatova.com) is a student of Prof. Albert Tarakanov, a pupil of legendary Henryk Neuhaus. From an early age, Mila was considered a child prodigy in her native city of Saratov, and was a frequently featured soloist on live radio and television. At the age of 16, composer Dmitry Kabalevsky awarded her as the best performer of his compositions.

After her arrival to the US in 1999, she collaborated in a series of Piano Duet Recitals with the renowned American pianist Frank Glazer, performed with the Metropolitan Wind Ensemble, and established her Piano Academy in Manchester, NH. In 2016, Mila founded Sempre Musick, an organization which provides young musicians with opportunities to perform onstage, including with the Sempre Musick orchestra.

Mila’s students have received awards in many competitions across the USA, Germany, Spain, Bulgaria, Italy, and Russia, including the MTNA National Competitions. Her students have participated in the Van Cliburn Junior Festival, and have been selected as finalists for the Kaufman Music Center International Piano Competition and the Ettlingen International Piano Competition. Her students have also been featured as soloists on the NPR-broadcasted From the Top.

For many years, Mila Filatova served the New Hampshire Music Teachers Association as a Vice President, and was recognized with the NHMTA’s Sister Anita Marchesseault Award for her contributions. She has been recognized as a “Top Piano Teacher” by Steinway & Sons. Mila Filatova has been honored with a Citation by the Governor of New Hampshire in recognition of her outstanding contributions to music education.